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Old niece comedy movie starring dharmendra , amitabh and sharmila tagore

A simpleton named Bhola (Sunil Dutt) falls in love with his neighbor Bindu (Saira Banu). To impress her he wants to sing to her. However, he isn’t a good singer, so he uses the help of his friend, Guru (Kishore Kumar). Guru is a famous singer and he agrees to help his friend. While Guru is singing in the back, Bhola mouths the words to songs. Bindu is charmed by what she thinks is Bhola’s singing. They both start to become friends and fall in love. Bindu has a music teacher named Master Pillai/Masterji (Mehmood). He is also in love with Bindu & is always proposing to her. Bindu loves Bhola so she refuses Masterji. One day Bindu finds out about Bhola’s lie. She is very upset and refuses to meet Bhola. In an angry rage, she decides to marry Masterji. They both prepare for the wedding, while Bhola thinks of a way to get his Bindu back. On the wedding day, Guru gets an idea. He makes Bhola pretend to have committed suicide. He puts a fake note next to Bhola. Bhola has a noose around his neck and a chair next to him. Guru goes and tells the news to Bindu. She is shocked. She leaves her wedding altar and runs to Bhola. She reads the note and starts to repent. Bindu then tries to wake Bhola up. Bhola wakes up. Bindu is delighted. She tells Masterji that she wants to marry Bhola and he agrees. Bhola and Bindu get married

Ram Gopal Varma is itching to tell a new story in his movies. You may garland him for his efforts or loathe him if y
ou feel letdown, but you need to hand it to him for picking up stories that defy stereotype.

Buzz up!
This time, in Rann, the maverick film-maker does an expose on the games the heavyweights in the media play to further their interests. RGV goes into the newsrooms and also behind it and throws light on the politician-industrialist-media nexus. Also, it’s an insider’s account of how news channels that are greedy for ratings sensationalize stories to grab eyeballs.

On surface, you don’t want to know what goes behind the scenes and how, at times, news are ‘created’ by vested interests. But Rann scratches the surface and opens a can of worms. Rann also mirrors the fact that just like there are good and bad people in every field, there’re some rotten ones in the media too who succumb to temptations and create news to climb the ladder of success.

Rann is a serious film and RGV knows what he’s talking this time. It wouldn’t be erroneous to state that you recall RGV’s Sarkar while watching Rann, even though the two films are as diverse as chalk and cheese. You recall Sarkar because Rann is an equally powerful film that shows a world we’ve only seen from the exterior.